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Kirikou and the Wild Beasts

Kirikou and the Wild Beasts

Adventure · Animation · Family · 2005

Kirikou's grandfather thinks that the story of Kirikou and The Witch was too short, so he proceeds to explain more about Kirikou's accomplishments. We find out how the little boy became a gardener, a detective, a maker of pottery, a merchant, a traveler and a doctor.

Movie details

Kirikou and the Wild Beasts

2005 Adventure · Animation · Family 1h 15m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Kirikou's grandfather thinks that the story of Kirikou and The Witch was too short, so he proceeds to explain more about Kirikou's accomplishments. We find out how the little boy became a gardener, a detective, a maker of pottery, a merchant, a traveler and a doctor.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Kirikou and the Wild Beasts?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Michel Ocelot · Bénédicte Galup

Written by

Michel Ocelot · Philippe Andrieu · Bénédicte Galup · Marie Locatelli

P

Pierre-Ndoffé Sarr

Kirikou (voice)

Awa Sène Sarr

Awa Sène Sarr

Karaba (voice)

Robert Liensol

Robert Liensol

Le grand-père (voice)

Marie-Philomène Nga

Marie-Philomène Nga

La mère (voice)

Emile Abossolo M'bo

Emile Abossolo M'bo

L'oncle (voice)

Pascal N'Zonzi

Pascal N'Zonzi

Le veillard

M

Marthe N'Domé

La femme forte

Court is in session

Put Kirikou and the Wild Beasts on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.