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Return to Never Land

Return to Never Land

Adventure · Fantasy · Animation · 2002

In 1940, the world is besieged by World War II. Wendy, all grown up, has two children; including Jane, who does not believe Wendy's stories about Peter Pan.

Movie details

Return to Never Land

“The classic continues.”

2002 Adventure · Fantasy · Animation 1h 12m

Critical arithmetic

The consensus, allegedly.

IMDb

5.8 / 10

23.4K votes

Rotten Tomatoes

46 %

Tomatometer

Metacritic

49 / 100

Metascore

TMDB

6.5 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

In 1940, the world is besieged by World War II. Wendy, all grown up, has two children; including Jane, who does not believe Wendy's stories about Peter Pan.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Return to Never Land?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Robin Budd

Written by

Temple Mathews

Harriet Owen

Harriet Owen

Jane / Young Wendy (Voice)

Blayne Weaver

Blayne Weaver

Peter Pan (Voice)

Jeff Bennett

Jeff Bennett

Smee / Pirates (Voice)

Kath Soucie

Kath Soucie

Wendy Darling (voice)

Corey Burton

Corey Burton

Captain Hook (voice)

A

Andrew McDonough

Danny (voice)

Roger Rees

Roger Rees

Edward (voice)

Court is in session

Put Return to Never Land on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.