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Sweet Charity

Sweet Charity

Comedy · Music · Romance · 1969

Taxi dancer Charity continues to have faith in the human race despite apparently endless disappointments at its hands, and hope that she will finally meet the nice young man to romance her away from her sleazy life. Maybe, just maybe, handsome Oscar will be the one to do it.

Movie details

Sweet Charity

“Love is what it's all about!”

1969 Comedy · Music · Romance 2h 33m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

Taxi dancer Charity continues to have faith in the human race despite apparently endless disappointments at its hands, and hope that she will finally meet the nice young man to romance her away from her sleazy life. Maybe, just maybe, handsome Oscar will be the one to do it.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Sweet Charity?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Bob Fosse

Written by

Peter Stone

Shirley MacLaine

Shirley MacLaine

Charity

John McMartin

John McMartin

Oscar

Chita Rivera

Chita Rivera

Nickie

Paula Kelly

Paula Kelly

Helene

Ricardo Montalban

Ricardo Montalban

Vittorio

Sammy Davis Jr.

Sammy Davis Jr.

Big Daddy

Stubby Kaye

Stubby Kaye

Herman

Court is in session

Put Sweet Charity on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.