The defence The Sentimental Softie
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
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Funny Girl
Comedy · Drama · Romance · 1968
The life of famed 1930s comedienne Fanny Brice, from her early days in the Jewish slums of New York, to the height of her career with the Ziegfeld Follies, as well as her marriage to the rakish gambler Nick Arnstein.
Movie details
Funny Girl
“People who see FUNNY GIRL are the luckiest people in the world!”
1968 Comedy · Drama · Romance 2h 35m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
7.2 / 10
Community rating
The life of famed 1930s comedienne Fanny Brice, from her early days in the Jewish slums of New York, to the height of her career with the Ziegfeld Follies, as well as her marriage to the rakish gambler Nick Arnstein.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Funny Girl?
For the defence
The Sentimental Softie
“You came to feel something, and you will.”
Read their case For the prosecution
The Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Anything Else
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Names above the title
The people responsible.
Cast & crew
Directed by
William Wyler
Written by
Isobel Lennart
Barbra Streisand
Fanny Brice
Omar Sharif
Nick Arnstein
Kay Medford
Rose Brice
Anne Francis
Georgia James
Walter Pidgeon
Florenz Ziegfeld
L
Lee Allen
Eddie Ryan
Mae Questel
Mrs. Strakosh
Court is in session
Put Funny Girl on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Cool Ironist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.