“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

We Go On
Horror · Thriller · Drama · 2016
Paralyzed by his fear of dying, Miles Grissom takes out an advert offering $30,000 in reward money to the first person who can show him evidence of an angel, a demon, or prove that ghosts exist - anything to prove to him that we go on after our deaths. He narrows the responses down to three viable candidates - a scientist, a medium, and a worldly entrepreneur. Along with his protective mother, he embarks on an adventure through Los Angeles that will spiral into an unthinkable nightmare.
We Go On
“Some doors should never be opened.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
5.8 / 10
Community rating
Paralyzed by his fear of dying, Miles Grissom takes out an advert offering $30,000 in reward money to the first person who can show him evidence of an angel, a demon, or prove that ghosts exist - anything to prove to him that we go on after our deaths. He narrows the responses down to three viable candidates - a scientist, a medium, and a worldly entrepreneur. Along with his protective mother, he embarks on an adventure through Los Angeles that will spiral into an unthinkable nightmare.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over We Go On?
The Arthouse Gremlin
“The stranger, the better.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Andy Mitton · Jesse Holland
Written by
Jesse Holland · Andy Mitton
Put We Go On on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.






