The defence The Big-Idea Head
“Form is the argument.”
Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.
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The Others
Horror · Mystery · Thriller · 2001
Grace is a woman who lives in an old house kept dark because her two children, Anne and Nicholas, have a rare sensitivity to light. When the family begins to suspect the house is haunted, Grace fights to protect her children at any cost in the face of strange events and disturbing visions.
Movie details
The Others
“Sooner or later they’ll find you.”
2001 Horror · Mystery · Thriller 1h 41m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
7.6 / 10
Community rating
Grace is a woman who lives in an old house kept dark because her two children, Anne and Nicholas, have a rare sensitivity to light. When the family begins to suspect the house is haunted, Grace fights to protect her children at any cost in the face of strange events and disturbing visions.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Others?
For the defence
The Big-Idea Head
“You watch with your brain, not your gut.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Names above the title
The people responsible.
Cast & crew
Directed by
Alejandro Amenábar
Written by
Alejandro Amenábar
Nicole Kidman
Grace Stewart
Alakina Mann
Anne Stewart
James Bentley
Nicholas Stewart
Fionnula Flanagan
Mrs. Bertha Mills
Christopher Eccleston
Charles Stewart
Eric Sykes
Mr. Edmund Tuttle
Elaine Cassidy
Lydia
Court is in session
Put The Others on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“Technique in search of a pulse.”
Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.