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The Unhealer

The Unhealer

Fantasy · Thriller · Horror · 2021

A botched faith healing bestows supernatural Shaman powers on a bullied teenager. When his lifelong tormentors pull a prank that kills someone he loves, he uses his powers for revenge and goes on a bloody rampage to settle the score.

Movie details

The Unhealer

“With great power comes great pain”

2021 Fantasy · Thriller · Horror 1h 34m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

A botched faith healing bestows supernatural Shaman powers on a bullied teenager. When his lifelong tormentors pull a prank that kills someone he loves, he uses his powers for revenge and goes on a bloody rampage to settle the score.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Unhealer?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Nocebo

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A fashion designer suffers from a mysterious illness that puzzles her doctors and frustrates her husband until help arrives in the form of a Filipino caregiver who uses traditional folk healing to reveal a horrifying truth.

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A timid and socially alienated 17-year-old high school student's life is turned upside down when she switches places with her sinister mirror image.

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Play Dead

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Horror · 2022

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Names above the title

The people responsible.

Directed by

Martin Guigui

Written by

Kevin E. Moore · J. Shawn Harris

Natasha Henstridge

Natasha Henstridge

Bernice

Lance Henriksen

Lance Henriksen

Pflueger

Adam Beach

Adam Beach

Sheriff Adler

Chris Browning

Chris Browning

Gus

Branscombe Richmond

Branscombe Richmond

Red Elk

Angeline Appel

Angeline Appel

Sarah

Gavin Casalegno

Gavin Casalegno

Reed

Court is in session

Put The Unhealer on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.