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You'll Never Find Me

You'll Never Find Me

Horror · Thriller · 2024

Patrick, a strange and lonely resident, lives in a mobile home at the back of an isolated caravan park. After a violent thunderstorm erupts, a mysterious young woman appears at his door, seeking shelter from the weather. The longer the night wears on and the more the young woman discovers about Patrick, the more difficult she finds it to leave. Soon she begins to question Patrick’s intentions, while Patrick begins to question his own grip on reality...

Movie details

You'll Never Find Me

2024 Horror · Thriller 1h 40m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Patrick, a strange and lonely resident, lives in a mobile home at the back of an isolated caravan park. After a violent thunderstorm erupts, a mysterious young woman appears at his door, seeking shelter from the weather. The longer the night wears on and the more the young woman discovers about Patrick, the more difficult she finds it to leave. Soon she begins to question Patrick’s intentions, while Patrick begins to question his own grip on reality...

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over You'll Never Find Me?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Indianna Bell · Josiah Allen

Written by

Indianna Bell

Brendan Rock

Brendan Rock

Patrick

Jordan Cowan

Jordan Cowan

The Visitor

Elena Carapetis

Elena Carapetis

Woman

A

Angela Korng

Dead Woman

F

Finn Watson

Caravan Park Kid #1

L

Luca Trimboli

Caravan Park Kid #2

Court is in session

Put You'll Never Find Me on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Cool Ironist

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.