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Emma

Emma

Romance · Comedy · Drama · 1996

Emma Woodhouse is a congenial young lady who delights in meddling in other people’s affairs. She is perpetually trying to unite men and women who are utterly wrong for each other. Despite her interest in romance, Emma is clueless about her own feelings, and her relationship with gentle Mr. Knightley.

Movie details

Emma

“Cupid is armed and dangerous!”

1996 Romance · Comedy · Drama 2h 1m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Emma Woodhouse is a congenial young lady who delights in meddling in other people’s affairs. She is perpetually trying to unite men and women who are utterly wrong for each other. Despite her interest in romance, Emma is clueless about her own feelings, and her relationship with gentle Mr. Knightley.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Emma?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

Emma

Emma

Comedy · 1996

Emma Woodhouse is a congenial young lady who delights in meddling in other people’s affairs. She is perpetually trying to unite men and women who are utterly wrong for each other. Despite her interest in romance, Emma is clueless about her own feelings, and her relationship with gentle Mr. Knightley.

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Pride and Prejudice

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Names above the title

The people responsible.

Directed by

Douglas McGrath

Written by

Douglas McGrath

Gwyneth Paltrow

Gwyneth Paltrow

Emma Woodhouse

Jeremy Northam

Jeremy Northam

Mr. Knightley

Toni Collette

Toni Collette

Harriet Smith

Alan Cumming

Alan Cumming

Mr. Elton

Ewan McGregor

Ewan McGregor

Frank Churchill

Greta Scacchi

Greta Scacchi

Mrs. Weston

Sophie Thompson

Sophie Thompson

Miss Bates

Court is in session

Put Emma on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.