The defence The Prestige Tourist
“Form is the argument.”
Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.
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Going in Style
Crime · Comedy · Drama · 2017
Desperate to pay the bills and come through for their loved ones, three lifelong pals risk it all by embarking on a daring bid to knock off the very bank that absconded with their money.
Movie details
Going in Style
“You're never too old to get even.”
2017 Crime · Comedy · Drama 1h 36m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.7 / 10
Community rating
Desperate to pay the bills and come through for their loved ones, three lifelong pals risk it all by embarking on a daring bid to knock off the very bank that absconded with their money.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Going in Style?
For the defence
The Prestige Tourist
“You like your greatness pre-approved.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Where it lives
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
Names above the title
The people responsible.
Cast & crew
Directed by
Zach Braff
Written by
Theodore Melfi · Edward Cannon
Morgan Freeman
Willie Davis
Michael Caine
Joe Harding
Alan Arkin
Albert Garner
Ann-Margret
Annie Santori
John Ortiz
Jesus
Peter Serafinowicz
Murphy
Joey King
Brooklyn Harding
Court is in session
Put Going in Style on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“Technique in search of a pulse.”
Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.