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The Brink's Job

The Brink's Job

Comedy · Crime · 1978

In 1950, a group of unlikely criminal masterminds commits the robbery of the century. Led by Tony Pino, a petty thief fresh out of prison, and Joe McGinnis, who specializes in planning lucrative capers, the gang robs Brink's main office in Boston of more than $2 million. However, things begin to go awry when the FBI gets involved, the cops start cracking down on the gang and McGinnis refuses to hand over the loot...

Movie details

The Brink's Job

“The robbery nobody thought could happen by the guys nobody thought could pull it off.”

1978 Comedy · Crime 1h 44m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

In 1950, a group of unlikely criminal masterminds commits the robbery of the century. Led by Tony Pino, a petty thief fresh out of prison, and Joe McGinnis, who specializes in planning lucrative capers, the gang robs Brink's main office in Boston of more than $2 million. However, things begin to go awry when the FBI gets involved, the cops start cracking down on the gang and McGinnis refuses to hand over the loot...

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Brink's Job?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

William Friedkin

Written by

Walon Green

Peter Falk

Peter Falk

Tony Pino

Peter Boyle

Peter Boyle

Joe McGinnis

Allen Garfield

Allen Garfield

Vinnie Costa

Warren Oates

Warren Oates

Specs O'Keefe

Gena Rowlands

Gena Rowlands

Mary Pino

Paul Sorvino

Paul Sorvino

Jazz Maffie

Sheldon Leonard

Sheldon Leonard

J. Edgar Hoover

Court is in session

Put The Brink's Job on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Prestige Tourist

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.