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Cash on Demand

Cash on Demand

Crime · Drama · Thriller · 1961

A charming but ruthless criminal holds the family of a bank manager hostage as part of a cold-blooded plan to steal £90,000.

Movie details

Cash on Demand

“How to rob a bank... and get away with it?”

1961 Crime · Drama · Thriller 1h 20m

Critical arithmetic

One number, for now.

TMDB

7.6 / 10

Community rating

A charming but ruthless criminal holds the family of a bank manager hostage as part of a cold-blooded plan to steal £90,000.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Cash on Demand?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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An old-time crook plans a heist. When one of his two partners is found out to be a black man tensions flare.

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After being released from prison for a crime he didn't commit, Harvey Miller has revenge on his mind. He recruits his three best friends to help him rob the local drug kingpin whose betrayal put him away in the first place.

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In this fictionalised account of the Great Train Robbery, career criminal Paul Clifton plans an audacious crime: the robbery of a mail train carrying millions in cash.

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Terror by Night

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Traitor

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Names above the title

The people responsible.

Directed by

Quentin Lawrence

Written by

David T. Chantler · Lewis Greifer

Peter Cushing

Peter Cushing

Harry Fordyce

André Morell

André Morell

Colonel Gore Hepburn

Richard Vernon

Richard Vernon

Pearson

Norman Bird

Norman Bird

Arthur Sanderson

Kevin Stoney

Kevin Stoney

Detective Inspector Mason

B

Barry Lowe

Peter Harvill

Edith Sharpe

Edith Sharpe

Miss Pringle

Court is in session

Put Cash on Demand on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.