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Mao’s Last Dancer

Mao’s Last Dancer

Drama · Romance · 2009

At the age of 11, Li was plucked from a poor Chinese village by Madame Mao's cultural delegates and taken to Beijing to study ballet. In 1979, during a cultural exchange to Texas, he falls in love with an American woman. Two years later, he managed to defect and went on to perform as a principal dancer for the Houston Ballet and as a principal artist with the Australian Ballet.

Movie details

Mao’s Last Dancer

“Before you can fly, you have to be free.”

2009 Drama · Romance 1h 57m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

At the age of 11, Li was plucked from a poor Chinese village by Madame Mao's cultural delegates and taken to Beijing to study ballet. In 1979, during a cultural exchange to Texas, he falls in love with an American woman. Two years later, he managed to defect and went on to perform as a principal dancer for the Houston Ballet and as a principal artist with the Australian Ballet.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Mao’s Last Dancer?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Bruce Beresford

Written by

Jan Sardi

Bruce Greenwood

Bruce Greenwood

Ben Stevenson

Kyle MacLachlan

Kyle MacLachlan

Charles Foster

Joan Chen

Joan Chen

Niang

Chi Cao

Chi Cao

Li Cunxin - adult

Amanda Schull

Amanda Schull

Elizabeth Mackey

Wang Shuangbao

Wang Shuangbao

Dia

Aden Young

Aden Young

Dilworth

Court is in session

Put Mao’s Last Dancer on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.