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Dance with Me

Dance with Me

Drama · Music · Romance · 1998

Young Cuban Rafael just buried his mother, and comes to Houston to meet his father John for the first time. The difficult part is that John doesn't know he is Rafael's father. John runs a dance studio, and everyone prepares for the World Open Dance championship in Las Vegas. It soon becomes clear Rafael is a very good dancer, and Ruby is the biggest hope for the studio at the championship.

Movie details

Dance with Me

“In the dance of life, love can happen in a heartbeat.”

1998 Drama · Music · Romance 2h 6m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

Young Cuban Rafael just buried his mother, and comes to Houston to meet his father John for the first time. The difficult part is that John doesn't know he is Rafael's father. John runs a dance studio, and everyone prepares for the World Open Dance championship in Las Vegas. It soon becomes clear Rafael is a very good dancer, and Ruby is the biggest hope for the studio at the championship.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Dance with Me?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Randa Haines

Written by

Daryl Matthews

Vanessa Williams

Vanessa Williams

Ruby Sinclair

C

Chayanne

Rafael Infante

Kris Kristofferson

Kris Kristofferson

John Burnett

Joan Plowright

Joan Plowright

Bea Johnson

Jane Krakowski

Jane Krakowski

Patricia Black

Beth Grant

Beth Grant

Lovejoy

V

Victor Marcel

Fernando

Court is in session

Put Dance with Me on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.