The defence The Sentimental Softie
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
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A Woman of Paris: A Drama of Fate
Drama · Romance · 1923
When Marie St. Clair believes she has been jilted by her artist fiance Jean, she decides to leave for Paris on her own. After spending a year in the city as a mistress of the wealthy Pierre Revel, she is reunited with Jean by chance. This leaves her with the choice between a glamorous life in Paris, and the true love she left behind.
Movie details
A Woman of Paris: A Drama of Fate
“Humanity is composed not of heroes and villains.”
1923 Drama · Romance 1h 22m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.7 / 10
Community rating
When Marie St. Clair believes she has been jilted by her artist fiance Jean, she decides to leave for Paris on her own. After spending a year in the city as a mistress of the wealthy Pierre Revel, she is reunited with Jean by chance. This leaves her with the choice between a glamorous life in Paris, and the true love she left behind.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over A Woman of Paris: A Drama of Fate?
For the defence
The Sentimental Softie
“You came to feel something, and you will.”
Read their case For the prosecution
The Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Names above the title
The people responsible.
Cast & crew
Directed by
Charlie Chaplin
Written by
Charlie Chaplin
Edna Purviance
Marie St. Clair
Clarence Geldart
Marie's Step-Father
Carl Miller
Jean Millet
Lydia Knott
Jean's Mother
Charles K. French
Jean's Father
Adolphe Menjou
Pierre Revel
Betty Morrissey
Fifi
Court is in session
Put A Woman of Paris: A Drama of Fate on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Cool Ironist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.