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Footloose

Footloose

Drama · Romance · 1984

When teenager Ren and his family move from big-city Chicago to a small town in the West, he's in for a real case of culture shock after discovering he's living in a place where music and dancing are illegal.

Movie details

Footloose

“The music is on his side.”

1984 Drama · Romance 1h 47m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

When teenager Ren and his family move from big-city Chicago to a small town in the West, he's in for a real case of culture shock after discovering he's living in a place where music and dancing are illegal.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Footloose?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Footloose

Footloose

Drama · 2011

Ren MacCormack is transplanted from Boston to the small southern town of Bomont where loud music and dancing are prohibited. Not one to bow to the status quo, Ren challenges the ban, revitalizing the town and falling in love with the minister’s troubled daughter Ariel in the process.

The Fugitive Kind

The Fugitive Kind

Romance · 1960

Val Xavier, a drifter of obscure origins, arrives at a small town and gets a job in a store run by Lady Torrence. Her husband, Jabe M. Torrance, is dying of cancer. Val is pursued by Carol Cutere, the enigmatic local tramp-of-good-family.

Where it lives

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Names above the title

The people responsible.

Directed by

Herbert Ross

Written by

Dean Pitchford

Kevin Bacon

Kevin Bacon

Ren

Lori Singer

Lori Singer

Ariel

John Lithgow

John Lithgow

Rev. Shaw Moore

Dianne Wiest

Dianne Wiest

Vi Moore

Chris Penn

Chris Penn

Willard

Sarah Jessica Parker

Sarah Jessica Parker

Rusty

John Laughlin

John Laughlin

Woody

Court is in session

Put Footloose on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.