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Necronomicon

Necronomicon

Horror · 1993

H.P. Lovecraft anthology is divided into four segments: "The Library" which is the wraparound segment involving Lovecraft's research into the Book of The Dead and his unwitting release of a monster and his writing of the following horror segments "The Drowned", "The Cold", and "Whispers".

Movie details

Necronomicon

1993 Horror 1h 36m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

H.P. Lovecraft anthology is divided into four segments: "The Library" which is the wraparound segment involving Lovecraft's research into the Book of The Dead and his unwitting release of a monster and his writing of the following horror segments "The Drowned", "The Cold", and "Whispers".

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Necronomicon?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Shusuke Kaneko · Christophe Gans · Brian Yuzna

Written by

Brent V. Friedman · Brian Yuzna · Christophe Gans · Kazunori Ito

Jeffrey Combs

Jeffrey Combs

H.P. Lovecraft

Tony Azito

Tony Azito

Librarian

Juan Fernández

Juan Fernández

Attendant

Brian Yuzna

Brian Yuzna

Cabbie

Bruce Payne

Bruce Payne

Edward De Lapoer

Belinda Bauer

Belinda Bauer

Nancy Gallmore

Richard Lynch

Richard Lynch

Jethro De Lapoer

Court is in session

Put Necronomicon on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.