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Campfire Tales

Campfire Tales

Horror · 1997

Anthology of famous, scary urban legends done with a modern twist.

Movie details

Campfire Tales

“Deep in the woods, no one can hear you scream.”

1997 Horror 1h 28m

Critical arithmetic

The consensus, allegedly.

IMDb

5.8 / 10

5.7K votes

TMDB

5.9 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Anthology of famous, scary urban legends done with a modern twist.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Campfire Tales?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

Nightmare Cinema

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Necronomicon

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H.P. Lovecraft anthology is divided into four segments: "The Library" which is the wraparound segment involving Lovecraft's research into the Book of The Dead and his unwitting release of a monster and his writing of the following horror segments "The Drowned", "The Cold", and "Whispers".

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Two teenage couples traveling across the backwoods of Texas searching for urban legends of serial killers end up as prisoners of a bizarre and sadistic backwater family of serial killers.

Two Evil Eyes

Two Evil Eyes

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A duo of Edgar Allan Poe adaptations about a greedy wife's attempt to embezzle her dying husband's fortune, and a sleazy reporter's adoption of a strange black cat.

Dead Silence

Dead Silence

Horror · 2007

Jamie returns to his hometown in search of answers to his wife's murder, which occurred after receiving a weird package containing a ventriloquist dummy named Billy, which may be linked to the legend of ventriloquist Mary Shaw. Destined to find out the truth, Jamie goes to the town of Raven's Fair, where Shaw used to perform and is buried. But Jamie is in for more than he expected.

Dr. Terror's House of Horrors

Dr. Terror's House of Horrors

Horror · 1965

Five train passengers are joined by a mysterious fortuneteller who offers to read Tarot. A quintet of stories unfold: an architect returns to his ancestral home to find a vengeful werewolf; a doctor suspects his new wife is a vampire; an intelligent vine takes over a house; a jazz musician plagiarises music from a voodoo ceremony; and a pompous art critic is pursued by a disembodied hand.

The Curse of Buckout Road

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A college class project on creation and destruction of modern myth, turns terrifying when a trio of young people come to realize the urban legends surrounding the famed Buckout Road may, in fact, be REAL.

Books of Blood

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A journey into uncharted and forbidden territory through three tales tangled in space and time.

Dark Harvest

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In a small Midwestern town, a deadly annual ritual unfolds when the mythical nightmare, Sawtooth Jack, rises from the cornfields and challenges the town’s teenage boys in a bloody battle of survival.

Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Martin Kunert · David Semel · Matt Cooper

Written by

Matt Cooper · Martin Kunert · Eric Manes

James Marsden

James Marsden

Eddie (segment "The Hook")

Jay R. Ferguson

Jay R. Ferguson

Cliff (segment "The Campfire")

Christine Taylor

Christine Taylor

Lauren (segment "The Campfire")

Christopher Masterson

Christopher Masterson

Eric (segment "The Campfire")

Kim Murphy

Kim Murphy

Alex (segment "The Campfire")

Ron Livingston

Ron Livingston

Rick (segment "The Honeymoon") / RV Driver (segment "The Campfire")

J

Jennifer MacDonald

Valerie (segment "The Honeymoon") / RV Passenger (segment "The Campfire")

Court is in session

Put Campfire Tales on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.