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Libeled Lady

Libeled Lady

Comedy · Romance · 1936

When a major newspaper accuses wealthy socialite Connie Allenbury of being a home-wrecker, and she files a multi-million-dollar libel lawsuit, the publication's frazzled head editor, Warren Haggerty, must find a way to turn the tables on her. Soon Haggerty's harried fiancée, Gladys Benton, and his dashing friend Bill Chandler are in on a scheme that aims to discredit Connie, with amusing and unexpected results.

Movie details

Libeled Lady

“At the top of their game.”

1936 Comedy · Romance 1h 38m

Critical arithmetic

One number, for now.

TMDB

7.3 / 10

Community rating

When a major newspaper accuses wealthy socialite Connie Allenbury of being a home-wrecker, and she files a multi-million-dollar libel lawsuit, the publication's frazzled head editor, Warren Haggerty, must find a way to turn the tables on her. Soon Haggerty's harried fiancée, Gladys Benton, and his dashing friend Bill Chandler are in on a scheme that aims to discredit Connie, with amusing and unexpected results.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Libeled Lady?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Jack Conway

Written by

Howard Emmett Rogers · Maurine Dallas Watkins · George Oppenheimer · Wallace Sullivan

Jean Harlow

Jean Harlow

Gladys

William Powell

William Powell

Bill Chandler

Myrna Loy

Myrna Loy

Connie Allenbury

Spencer Tracy

Spencer Tracy

Haggerty

Walter Connolly

Walter Connolly

Mr. Allenbury

Charley Grapewin

Charley Grapewin

Mr. Bane

Cora Witherspoon

Cora Witherspoon

Mrs. Burns-Norvell

Court is in session

Put Libeled Lady on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.