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High Society

High Society

Music · Comedy · Romance · 1956

With socialite Tracy Lord about to remarry, her ex-husband - with the help of a sympathetic reporter - has 48 hours to convince her that she really still loves him.

Movie details

High Society

“They're all together for the first time!”

1956 Music · Comedy · Romance 1h 52m

Critical arithmetic

The consensus, allegedly.

IMDb

6.9 / 10

18.3K votes

Rotten Tomatoes

88 %

Tomatometer

Metacritic

65 / 100

Metascore

TMDB

6.8 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

With socialite Tracy Lord about to remarry, her ex-husband - with the help of a sympathetic reporter - has 48 hours to convince her that she really still loves him.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over High Society?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Charles Walters

Written by

John Patrick

Bing Crosby

Bing Crosby

C. K. Dexter-Haven

Grace Kelly

Grace Kelly

Tracy Lord

Frank Sinatra

Frank Sinatra

Mike Connor

Celeste Holm

Celeste Holm

Liz Imbrie

John Lund

John Lund

George Kittredge

Louis Calhern

Louis Calhern

Uncle Willie

Sidney Blackmer

Sidney Blackmer

Seth Lord

Court is in session

Put High Society on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.