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The Palm Beach Story

The Palm Beach Story

Comedy · Romance · 1942

A New York inventor, Tom Jeffers, needs cash to develop his big idea, so his adoring wife, Gerry, decides to raise it by divorcing him and marrying an eccentric Florida millionaire, J. D. Hackensacker III.

Movie details

The Palm Beach Story

“Love is fickle! Love is blind! She runs 'round the country...with him behind!”

1942 Comedy · Romance 1h 28m

Critical arithmetic

The consensus, allegedly.

IMDb

7.5 / 10

12.3K votes

Rotten Tomatoes

94 %

Tomatometer

TMDB

7.0 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

A New York inventor, Tom Jeffers, needs cash to develop his big idea, so his adoring wife, Gerry, decides to raise it by divorcing him and marrying an eccentric Florida millionaire, J. D. Hackensacker III.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Palm Beach Story?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Preston Sturges

Written by

Preston Sturges

Claudette Colbert

Claudette Colbert

Geraldine 'Gerry' Jeffers

Joel McCrea

Joel McCrea

Tom Jeffers

Mary Astor

Mary Astor

The Princess Centimillia

Rudy Vallee

Rudy Vallee

John D. Hackensacker III

Sig Arno

Sig Arno

Toto

Robert Warwick

Robert Warwick

Mr. Hinch

Arthur Stuart Hull

Arthur Stuart Hull

Mr. Osmond

Court is in session

Put The Palm Beach Story on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.