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Adam's Rib

Adam's Rib

Comedy · Romance · 1949

A woman's attempted murder of her uncaring husband results in everyday quarrels in the lives of Adam and Amanda, a pair of happily married lawyers who end up on opposite sides of the case in court.

Movie details

Adam's Rib

“It's The Hilarious Answer To Who Wears The Pants!”

1949 Comedy · Romance 1h 41m

Critical arithmetic

The consensus, allegedly.

IMDb

7.4 / 10

23.3K votes

Rotten Tomatoes

96 %

Tomatometer

Metacritic

87 / 100

Metascore

TMDB

7.1 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

A woman's attempted murder of her uncaring husband results in everyday quarrels in the lives of Adam and Amanda, a pair of happily married lawyers who end up on opposite sides of the case in court.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Adam's Rib?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

George Cukor

Written by

Ruth Gordon · Garson Kanin

Spencer Tracy

Spencer Tracy

Adam Bonner

Katharine Hepburn

Katharine Hepburn

Amanda Bonner

Judy Holliday

Judy Holliday

Doris Attinger

Tom Ewell

Tom Ewell

Warren Attinger

David Wayne

David Wayne

Kip Lurie

Jean Hagen

Jean Hagen

Beryl Caighn

Hope Emerson

Hope Emerson

Olympia La Pere

Court is in session

Put Adam's Rib on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.