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On the Town

On the Town

Comedy · Romance · 1949

Three sailors wreak havoc as they search for love during a whirlwind 24-hour leave in New York City.

Movie details

On the Town

“They Paint The Town With Joy!”

1949 Comedy · Romance 1h 38m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Three sailors wreak havoc as they search for love during a whirlwind 24-hour leave in New York City.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over On the Town?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Barefoot in the Park

Comedy · 1967

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The Band Wagon

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Comedy · 1953

A Broadway artiste turns a faded film star's comeback vehicle into an artsy flop.

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Dawn thinks she's joining a dating show in Paris, France, only to land in Paris, Texas. She has an exit plan — until sparks fly with the cowboy bachelor.

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The Purple Rose of Cairo

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The Lonely Guy

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Wedding Crashers

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Comedy · 2005

John and his buddy Jeremy are emotional criminals who know how to use a woman's hopes and dreams for their own carnal gain. Their modus operandi: crashing weddings. Normally, they meet guests who want to toast the romantic day with a random hook-up. But when John meets Claire, he discovers what true love – and heartache – feels like.

Where it lives

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Names above the title

The people responsible.

Directed by

Stanley Donen · Gene Kelly

Written by

Adolph Green · Betty Comden

Gene Kelly

Gene Kelly

Gabey

Frank Sinatra

Frank Sinatra

Chip

Betty Garrett

Betty Garrett

Brunhilde Esterhazy

Ann Miller

Ann Miller

Claire Huddesen

Jules Munshin

Jules Munshin

Ozzie

Vera-Ellen

Vera-Ellen

Ivy Smith

Florence Bates

Florence Bates

Madame Dilyovska

Court is in session

Put On the Town on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.