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The Purple Rose of Cairo

The Purple Rose of Cairo

Fantasy · Comedy · Romance · 1985

Cecilia is a waitress in New Jersey, living a dreary life during the Great Depression. Her only escape from her mundane reality is the movie theatre. After losing her job, Cecilia goes to see 'The Purple Rose of Cairo' in hopes of raising her spirits, where she watches dashing archaeologist Tom Baxter time and again.

Movie details

The Purple Rose of Cairo

“She's finally met the man of her dreams. He's not real, but you can't have everything.”

1985 Fantasy · Comedy · Romance 1h 22m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

Cecilia is a waitress in New Jersey, living a dreary life during the Great Depression. Her only escape from her mundane reality is the movie theatre. After losing her job, Cecilia goes to see 'The Purple Rose of Cairo' in hopes of raising her spirits, where she watches dashing archaeologist Tom Baxter time and again.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Purple Rose of Cairo?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Woody Allen

Written by

Woody Allen

Mia Farrow

Mia Farrow

Cecilia

Jeff Daniels

Jeff Daniels

Tom Baxter / Gil Shepherd

Danny Aiello

Danny Aiello

Monk

Irving Metzman

Irving Metzman

Theater Manager

S

Stephanie Farrow

Cecilia's Sister

Edward Herrmann

Edward Herrmann

Henry

John Wood

John Wood

Jason

Court is in session

Put The Purple Rose of Cairo on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.