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Just Like Heaven

Just Like Heaven

Comedy · Romance · Fantasy · 2005

Shortly after David Abbott moves into his new San Francisco digs, he has an unwelcome visitor on his hands: winsome Elizabeth Masterson, who asserts that the apartment is hers -- and promptly vanishes. When she starts appearing and disappearing at will, David thinks she's a ghost, while Elizabeth is convinced she's alive.

Movie details

Just Like Heaven

“It's a wonderful afterlife.”

2005 Comedy · Romance · Fantasy 1h 35m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Shortly after David Abbott moves into his new San Francisco digs, he has an unwelcome visitor on his hands: winsome Elizabeth Masterson, who asserts that the apartment is hers -- and promptly vanishes. When she starts appearing and disappearing at will, David thinks she's a ghost, while Elizabeth is convinced she's alive.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Just Like Heaven?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Isn't It Romantic

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Names above the title

The people responsible.

Directed by

Mark Waters

Written by

Peter Tolan · Leslie Dixon

Reese Witherspoon

Reese Witherspoon

Dr. Elizabeth Masterson

Mark Ruffalo

Mark Ruffalo

David Abbott

Donal Logue

Donal Logue

Jack Houriskey

Dina Spybey-Waters

Dina Spybey-Waters

Abby Brody

Ben Shenkman

Ben Shenkman

Dr. Brett Rushton

Jon Heder

Jon Heder

Darryl

Ivana Miličević

Ivana Miličević

Katrina

Court is in session

Put Just Like Heaven on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.