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The Other End of the Line

The Other End of the Line

Comedy · Romance · 2007

An employee at an Indian call-center travels to San Francisco to be with a guy she falls for over the phone.

Movie details

The Other End of the Line

2007 Comedy · Romance 1h 46m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

An employee at an Indian call-center travels to San Francisco to be with a guy she falls for over the phone.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Other End of the Line?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Easy Virtue

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When TV producer Leah Caldwell aims to become the first woman running New York's top morning show, her ex competes for the same role. Leah stays focused on her career, until chemistry with her ex challenges her priorities.

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Wedding Season

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A Perfect Pairing

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Names above the title

The people responsible.

Directed by

James Dodson

Written by

Tracey Jackson

Jesse Metcalfe

Jesse Metcalfe

Granger Woodruff

Shriya Saran

Shriya Saran

Priya R. Sethi

Austin Basis

Austin Basis

Charlie Hendricks

Larry Miller

Larry Miller

Kit Hawksin

Nouva Monika Wahlgren

Nouva Monika Wahlgren

Ula

Sushmita Mukherjee

Sushmita Mukherjee

Manju R. Sethi

Michael Chen

Michael Chen

Mike

Court is in session

Put The Other End of the Line on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.