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Tangerine

Tangerine

Comedy · Drama · 2015

It's Christmas Eve in Tinseltown and Sin-Dee is back on the block. Upon hearing that her pimp boyfriend hasn't been faithful during the 28 days she was locked up, the working girl and her best friend, Alexandra, embark on a mission to get to the bottom of the scandalous rumor. Their rip-roaring odyssey leads them through various subcultures of Los Angeles, including an Armenian family dealing with their own repercussions of infidelity.

Movie details

Tangerine

“Shit floats to the surface”

2015 Comedy · Drama 1h 27m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

It's Christmas Eve in Tinseltown and Sin-Dee is back on the block. Upon hearing that her pimp boyfriend hasn't been faithful during the 28 days she was locked up, the working girl and her best friend, Alexandra, embark on a mission to get to the bottom of the scandalous rumor. Their rip-roaring odyssey leads them through various subcultures of Los Angeles, including an Armenian family dealing with their own repercussions of infidelity.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Tangerine?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Sean Baker

Written by

Sean Baker · Chris Bergoch

Kitana Kiki Rodriguez

Kitana Kiki Rodriguez

Sin-Dee Rella

Mya Taylor

Mya Taylor

Alexandra

Karren Karagulian

Karren Karagulian

Razmik

Mickey O'Hagan

Mickey O'Hagan

Dinah

Alla Tumanian

Alla Tumanian

Ashken

James Ransone

James Ransone

Chester

Luiza Nersisyan

Luiza Nersisyan

Yeva

Court is in session

Put Tangerine on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.