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Riff-Raff

Riff-Raff

Comedy · Drama · 1991

Stevie, fresh from prison in Scotland, finds a job on a London construction site. Working conditions are poor and most of the men are working under aliases, due to immigration status and to not conflict with unemployment. Some help Stevie secure housing, squatting in a council estate. Then Stevie meets Susan, from Ireland, an aspiring singer.

Movie details

Riff-Raff

1991 Comedy · Drama 1h 35m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

Stevie, fresh from prison in Scotland, finds a job on a London construction site. Working conditions are poor and most of the men are working under aliases, due to immigration status and to not conflict with unemployment. Some help Stevie secure housing, squatting in a council estate. Then Stevie meets Susan, from Ireland, an aspiring singer.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Riff-Raff?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Ken Loach

Written by

Bill Jesse

Robert Carlyle

Robert Carlyle

Stevie

Emer McCourt

Emer McCourt

Susan

G

George Moss

Mo

J

Jimmy Coleman

Shem

Ricky Tomlinson

Ricky Tomlinson

Larry

D

David Finch

Kevin

Peter Mullan

Peter Mullan

Jake

Court is in session

Put Riff-Raff on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.