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Krush Groove

Krush Groove

Comedy · Drama · Music · 1985

Russell Walker is a young, successful manager of rap performers, handling acts for the Krush Groove label, including Run-DMC and The Fat Boys. When Run-D.M.C. has a hit record and Russell needs more money to press more copies, he borrows it from a street hustler and soon regrets his decision.

Movie details

Krush Groove

“It's chillin'!”

1985 Comedy · Drama · Music 1h 37m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Russell Walker is a young, successful manager of rap performers, handling acts for the Krush Groove label, including Run-DMC and The Fat Boys. When Run-D.M.C. has a hit record and Russell needs more money to press more copies, he borrows it from a street hustler and soon regrets his decision.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Krush Groove?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Michael Schultz

Written by

Ralph Farquhar

Blair Underwood

Blair Underwood

Russell Walker

Joseph Simmons

Joseph Simmons

Joseph Simmons

Darryl 'DMC' McDaniels

Darryl 'DMC' McDaniels

DMC

Sheila E.

Sheila E.

Sheila E.

Kurtis Blow

Kurtis Blow

Kurtis Blow

LL Cool J

LL Cool J

LL Cool J

Rick Rubin

Rick Rubin

Rick

Court is in session

Put Krush Groove on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.