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10,000 Saints

10,000 Saints

Comedy · Drama · Music · 2015

A sweeping multigenerational story set against the backdrop of the raw, roaring New York City of the late 1980s; adoption, teen pregnancy, drugs, hardcore punk rock, the unbridled optimism and reckless stupidity of the young—and old—are all major elements in this heart-aching tale of the son of diehard hippies and his strange odyssey through the extremes of late 20th century youth culture.

Movie details

10,000 Saints

“Rage. Riot. Rebirth.”

2015 Comedy · Drama · Music 1h 53m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

A sweeping multigenerational story set against the backdrop of the raw, roaring New York City of the late 1980s; adoption, teen pregnancy, drugs, hardcore punk rock, the unbridled optimism and reckless stupidity of the young—and old—are all major elements in this heart-aching tale of the son of diehard hippies and his strange odyssey through the extremes of late 20th century youth culture.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over 10,000 Saints?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Shari Springer Berman · Robert Pulcini

Written by

Shari Springer Berman · Robert Pulcini

Ethan Hawke

Ethan Hawke

Les Horn

Asa Butterfield

Asa Butterfield

Jude Keffy-Horn

Emily Mortimer

Emily Mortimer

Diane Urbanski

Julianne Nicholson

Julianne Nicholson

Harriet

Hailee Steinfeld

Hailee Steinfeld

Eliza Urbanski

Emile Hirsch

Emile Hirsch

Johnny

Avan Jogia

Avan Jogia

Teddy McNicholas

Court is in session

Put 10,000 Saints on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.