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Real Women Have Curves

Real Women Have Curves

Comedy · Drama · 2002

In East Los Angeles, an 18-year-old struggles between her ambitions of going to college and the desires of her domineering mother for her to get married, have children, and oversee the small, rundown family-owned textile factory.

Movie details

Real Women Have Curves

“Real women take chances, have flaws, embrace life...”

2002 Comedy · Drama 1h 26m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

In East Los Angeles, an 18-year-old struggles between her ambitions of going to college and the desires of her domineering mother for her to get married, have children, and oversee the small, rundown family-owned textile factory.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Real Women Have Curves?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Patricia Cardoso

Written by

George LaVoo · Josefina Lopez

America Ferrera

America Ferrera

Ana Garcia

Lupe Ontiveros

Lupe Ontiveros

Carmen Garcia

Ingrid Oliu

Ingrid Oliu

Estela Garcia

George López

George López

Mr. Guzman

Brian Sites

Brian Sites

Jimmy

Soledad St. Hilaire

Soledad St. Hilaire

Pancha

L

Lourdes Perez Nido

Rosali

Court is in session

Put Real Women Have Curves on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.