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The Adventures of Priscilla, Queen of the Desert

The Adventures of Priscilla, Queen of the Desert

Drama · Comedy · 1994

Two drag performers and a transgender woman travel across the desert to perform their unique style of cabaret.

Movie details

The Adventures of Priscilla, Queen of the Desert

“Finally, a comedy that will change the way you think, the way you feel, and most importantly... the way you dress.”

1994 Drama · Comedy 1h 43m

Critical arithmetic

The consensus, allegedly.

IMDb

7.5 / 10

60.5K votes

Rotten Tomatoes

94 %

Tomatometer

Metacritic

70 / 100

Metascore

TMDB

7.3 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Two drag performers and a transgender woman travel across the desert to perform their unique style of cabaret.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Adventures of Priscilla, Queen of the Desert?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Stephan Elliott

Written by

Stephan Elliott

Hugo Weaving

Hugo Weaving

Anthony 'Tick' Belrose / Mitzi Del Bra

Guy Pearce

Guy Pearce

Adam Whitely / Felicia Jollygoodfellow

Terence Stamp

Terence Stamp

Bernadette Bassenger

Bill Hunter

Bill Hunter

Bob Spart

Sarah Chadwick

Sarah Chadwick

Marion Barber

J

June Marie Bennett

Shirley

R

Rebel Penfold-Russell

Logowoman

Court is in session

Put The Adventures of Priscilla, Queen of the Desert on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.