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Hedwig and the Angry Inch

Hedwig and the Angry Inch

Comedy · Music · Drama · 2001

Raised a boy in East Berlin, Hedwig undergoes a personal transformation in order to emigrate to the U.S., where she reinvents herself as an 'internationally ignored' but divinely talented rock diva, inhabiting a 'beautiful gender of one'.

Movie details

Hedwig and the Angry Inch

“An anatomically incorrect rock odyssey.”

2001 Comedy · Music · Drama 1h 35m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

Raised a boy in East Berlin, Hedwig undergoes a personal transformation in order to emigrate to the U.S., where she reinvents herself as an 'internationally ignored' but divinely talented rock diva, inhabiting a 'beautiful gender of one'.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Hedwig and the Angry Inch?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

John Cameron Mitchell

Written by

John Cameron Mitchell

John Cameron Mitchell

John Cameron Mitchell

Hedwig

Miriam Shor

Miriam Shor

Yitzhak

Stephen Trask

Stephen Trask

Skszp

T

Theodore Liscinski

Jacek

Rob Campbell

Rob Campbell

Krzysztof

Michael Aronov

Michael Aronov

Schlatko

Andrea Martin

Andrea Martin

Phyllis Stein

Court is in session

Put Hedwig and the Angry Inch on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.