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School Dance

School Dance

Comedy · Music · Drama · 2014

High schooler Jason has found his dream girl—the gorgeous Anastacia. There’s just one problem: she doesn’t know he exists. If he can win a spot on the school’s hottest dance crew, Jason might have a shot. But before he does, he’ll have to overcome his battle-ax of a mother, survive Anastacia’s gangsta brother, and pass the crew’s initiation—in this fresh, sexy, and outrageously funny comedy.

Movie details

School Dance

2014 Comedy · Music · Drama 1h 25m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

High schooler Jason has found his dream girl—the gorgeous Anastacia. There’s just one problem: she doesn’t know he exists. If he can win a spot on the school’s hottest dance crew, Jason might have a shot. But before he does, he’ll have to overcome his battle-ax of a mother, survive Anastacia’s gangsta brother, and pass the crew’s initiation—in this fresh, sexy, and outrageously funny comedy.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over School Dance?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Nick Cannon

Written by

Nick Cannon · Nile Evans

Patrick Warburton

Patrick Warburton

Prairie Puff Man

Wilmer Valderrama

Wilmer Valderrama

Flaco

Efren Ramirez

Efren Ramirez

El Matador

Mike Epps

Mike Epps

Principal Rogers

Bobb'e J. Thompson

Bobb'e J. Thompson

Jason Jackson

George López

George López

Oscar

Katt Williams

Katt Williams

Darren

Court is in session

Put School Dance on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.