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Good Vibrations

Good Vibrations

Music · Drama · 2012

The story of music legend Terri Hooley, a key figure in Belfast's punk rock scene. Hooley founded the Good Vibrations store from which a record label sprung, representing bands such as The Undertones, Rudi and The Outcasts.

Movie details

Good Vibrations

“Are teenage dreams so hard to beat?”

2012 Music · Drama 1h 51m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

The story of music legend Terri Hooley, a key figure in Belfast's punk rock scene. Hooley founded the Good Vibrations store from which a record label sprung, representing bands such as The Undertones, Rudi and The Outcasts.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Good Vibrations?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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A

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Where it lives

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Names above the title

The people responsible.

Directed by

Lisa Barros D'Sa · Glenn Leyburn

Written by

Glenn Patterson · Colin Carberry

Richard Dormer

Richard Dormer

Terri Hooley

Jodie Whittaker

Jodie Whittaker

Ruth

Karl Johnson

Karl Johnson

George Hooley

Michael Colgan

Michael Colgan

Dave Hyndman

Liam Cunningham

Liam Cunningham

Davy

Dylan Moran

Dylan Moran

Pat

Ruth McCabe

Ruth McCabe

Mavis Hooley

Court is in session

Put Good Vibrations on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.