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The Five Heartbeats

The Five Heartbeats

Drama · Music · 1991

In the early 1960s, a quintet of hopeful, young African-American men form an amateur vocal group called The Five Heartbeats. After an initially rocky start, the group improves, turns pro, and rises to become a top flight music sensation. Along the way, however, the guys learn many hard lessons about the reality of the music industry.

Movie details

The Five Heartbeats

1991 Drama · Music 2h 1m

Critical arithmetic

The consensus, allegedly.

IMDb

7.5 / 10

5.2K votes

Rotten Tomatoes

39 %

Tomatometer

TMDB

7.3 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

In the early 1960s, a quintet of hopeful, young African-American men form an amateur vocal group called The Five Heartbeats. After an initially rocky start, the group improves, turns pro, and rises to become a top flight music sensation. Along the way, however, the guys learn many hard lessons about the reality of the music industry.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Five Heartbeats?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Robert Townsend

Written by

Keenen Ivory Wayans · Robert Townsend

Robert Townsend

Robert Townsend

Duck

Michael Wright

Michael Wright

Eddie

Leon

Leon

J.T.

Harry Lennix

Harry Lennix

Dresser

Tico Wells

Tico Wells

Choirboy

Diahann Carroll

Diahann Carroll

Eleanor Potter

Harold Nicholas

Harold Nicholas

Sarge

Court is in session

Put The Five Heartbeats on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.