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I Am Woman

I Am Woman

Drama · Music · 2020

In 1966, Helen Reddy landed in New York with her three year old daughter, a suitcase, and $230 in her pocket. Within weeks, she was broke. Within months, she was in love. Within five years, she was one of the biggest superstars of her time and an icon of the 1970s feminist movement who wrote a song which galvanized a generation of women to fight for change.

Movie details

I Am Woman

“The Helen Reddy story and the song that inspired a revolution”

2020 Drama · Music 1h 56m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

In 1966, Helen Reddy landed in New York with her three year old daughter, a suitcase, and $230 in her pocket. Within weeks, she was broke. Within months, she was in love. Within five years, she was one of the biggest superstars of her time and an icon of the 1970s feminist movement who wrote a song which galvanized a generation of women to fight for change.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over I Am Woman?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Unjoo Moon

Written by

Emma Jensen

Tilda Cobham-Hervey

Tilda Cobham-Hervey

Helen Reddy

Danielle Macdonald

Danielle Macdonald

Lillian Roxon

Evan Peters

Evan Peters

Jeff Wald

Chris Parnell

Chris Parnell

Artie Mogull

David Lyons

David Lyons

Dale Muir

Matty Cardarople

Matty Cardarople

Roy Meyer

Dusty Sorg

Dusty Sorg

Dany Cornelius

Court is in session

Put I Am Woman on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.