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Attack on Titan

Attack on Titan

Horror · Action · Science Fiction · 2015

100 years ago, titans suddenly appeared on Earth. Soon, human civilization veered on collapse due to the titans. Humans then built a giant wall to defend themselves. Within the giant walls, humans lived in peace, but, 100 years later, the giant wall is broken.

Movie details

Attack on Titan

“The face of humanity's extinction.”

2015 Horror · Action · Science Fiction 1h 38m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

100 years ago, titans suddenly appeared on Earth. Soon, human civilization veered on collapse due to the titans. Humans then built a giant wall to defend themselves. Within the giant walls, humans lived in peace, but, 100 years later, the giant wall is broken.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Attack on Titan?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Shinji Higuchi

Written by

Yusuke Watanabe · Tomohiro Machiyama

Haruma Miura

Haruma Miura

Eren

Kiko Mizuhara

Kiko Mizuhara

Mikasa

Kanata Hongo

Kanata Hongo

Armin

Hitomi Miyauchi

Hitomi Miyauchi

Sasha

Takahiro Miura

Takahiro Miura

Jean

Satomi Ishihara

Satomi Ishihara

Hans

Hiroki Hasegawa

Hiroki Hasegawa

Shikishima

Court is in session

Put Attack on Titan on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.