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Mr. Frost

Mr. Frost

Horror · Thriller · Drama · 1990

Frost is arrested and committed for murder after he is apprehended burying his victims in the garden. However, even while under psychiatric care and tight hospital security, it becomes obvious that Mr. Frost is not all he seems to be.

Movie details

Mr. Frost

“He hasn't spoken in two years. No one knows his identity. Officially he doesn't exist... but 24 corpses do. Call evil by its proper name.”

1990 Horror · Thriller · Drama 1h 44m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Frost is arrested and committed for murder after he is apprehended burying his victims in the garden. However, even while under psychiatric care and tight hospital security, it becomes obvious that Mr. Frost is not all he seems to be.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Mr. Frost?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Devil's Rejects

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Where it lives

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Names above the title

The people responsible.

Directed by

Philippe Setbon

Written by

Louise Vincent · Philippe Setbon · Derry Hall · Brad Lynch

Jeff Goldblum

Jeff Goldblum

Mr. Frost

Alan Bates

Alan Bates

Felix Detweiler

Kathy Baker

Kathy Baker

Dr. Sarah Day

Daniel Gélin

Daniel Gélin

Simon Scolari

Jean-Pierre Cassel

Jean-Pierre Cassel

Corelli

François Négret

François Négret

Christopher Kovac

Vincent Schiavelli

Vincent Schiavelli

Angelo, desk clerk

Court is in session

Put Mr. Frost on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.