“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

Mr. Frost
Horror · Thriller · Drama · 1990
Frost is arrested and committed for murder after he is apprehended burying his victims in the garden. However, even while under psychiatric care and tight hospital security, it becomes obvious that Mr. Frost is not all he seems to be.
Mr. Frost
“He hasn't spoken in two years. No one knows his identity. Officially he doesn't exist... but 24 corpses do. Call evil by its proper name.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.2 / 10
Community rating
Frost is arrested and committed for murder after he is apprehended burying his victims in the garden. However, even while under psychiatric care and tight hospital security, it becomes obvious that Mr. Frost is not all he seems to be.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Mr. Frost?
The Arthouse Gremlin
“The stranger, the better.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Philippe Setbon
Written by
Brad Lynch · Louise Vincent · Philippe Setbon · Derry Hall
Put Mr. Frost on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.






