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The Brother from Another Planet

The Brother from Another Planet

Comedy · Science Fiction · Drama · 1984

A mute alien with the appearance of a black human is chased by outer-space bounty hunters through the streets of Harlem.

Movie details

The Brother from Another Planet

“He's not just another out-of-towner...”

1984 Comedy · Science Fiction · Drama 1h 48m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

A mute alien with the appearance of a black human is chased by outer-space bounty hunters through the streets of Harlem.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Brother from Another Planet?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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South Park: Joining the Panderverse

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Thomas Jerome Newton is an alien who has come to Earth in search of water to save his home planet. Aided by lawyer Oliver Farnsworth, Thomas uses his knowledge of advanced technology to create profitable inventions. While developing a method to transport water, Thomas meets Mary-Lou, a quiet hotel clerk, and begins to fall in love with her. Just as he is ready to leave Earth, Thomas is intercepted by the U.S. government, and his entire plan is threatened.

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Repo Man

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Bugonia

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Names above the title

The people responsible.

Directed by

John Sayles

Written by

John Sayles

Joe Morton

Joe Morton

The Brother

R

Rosanna Carter

West Indian Woman

Ray Ramirez

Ray Ramirez

Hispanic Man

Y

Yves Rene

Haitian Man

P

Peter Richardson

Islamic Man

G

Ginny Yang

Korean Shopkeeper

Daryl Edwards

Daryl Edwards

Fly

Court is in session

Put The Brother from Another Planet on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.