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Nowhere

Nowhere

Comedy · Drama · Science Fiction · 1997

In Los Angeles, a colorful assortment of bohemians try to make sense of their intersecting lives. The moody Dark Smith, his bisexual girlfriend, her lesbian lover and their shy gay friend plan on attending the wildest party of the year. But they'll only make it if they can survive the drug trips, suicides, trysts, mutilations and alien abductions that occur as one surreal day unfolds.

Movie details

Nowhere

“Let the love feast begin.”

1997 Comedy · Drama · Science Fiction 1h 23m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

In Los Angeles, a colorful assortment of bohemians try to make sense of their intersecting lives. The moody Dark Smith, his bisexual girlfriend, her lesbian lover and their shy gay friend plan on attending the wildest party of the year. But they'll only make it if they can survive the drug trips, suicides, trysts, mutilations and alien abductions that occur as one surreal day unfolds.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Nowhere?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Heavy Traffic

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Where it lives

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Names above the title

The people responsible.

Directed by

Gregg Araki

Written by

Gregg Araki

James Duval

James Duval

Dark

Rachel True

Rachel True

Mel

Nathan Bexton

Nathan Bexton

Montgomery

Chiara Mastroianni

Chiara Mastroianni

Kriss

Debi Mazar

Debi Mazar

Kozy

Kathleen Robertson

Kathleen Robertson

Lucifer

Joshua Gibran Mayweather

Joshua Gibran Mayweather

Zero

Court is in session

Put Nowhere on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.