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On the Count of Three

On the Count of Three

Comedy · Crime · Drama · 2022

Val has reached a place where he feels the only way out is to end things. But he considers himself a bit of a failure—his effectiveness lacking—so he figures he could use some help. As luck would have it, Val’s best friend, Kevin, is recovering from a failed suicide attempt, so he seems like the perfect partner for executing this double suicide plan. But before they go, they have some unfinished business to attend to.

Movie details

On the Count of Three

“It’s a great day to be alive.”

2022 Comedy · Crime · Drama 1h 26m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Val has reached a place where he feels the only way out is to end things. But he considers himself a bit of a failure—his effectiveness lacking—so he figures he could use some help. As luck would have it, Val’s best friend, Kevin, is recovering from a failed suicide attempt, so he seems like the perfect partner for executing this double suicide plan. But before they go, they have some unfinished business to attend to.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over On the Count of Three?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Jerrod Carmichael

Written by

Ryan Welch · Ari Katcher

Jerrod Carmichael

Jerrod Carmichael

Val

Christopher Abbott

Christopher Abbott

Kevin

Tiffany Haddish

Tiffany Haddish

Natasha

Lavell Crawford

Lavell Crawford

Donny

JB Smoove

JB Smoove

Lyndell

Henry Winkler

Henry Winkler

Dr. Brenner

Ryan McDonald

Ryan McDonald

Brian

Court is in session

Put On the Count of Three on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.