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Spaceman

Spaceman

Science Fiction · Adventure · Drama · 2024

Six months into a solo mission, a lonely astronaut confronts the cracks in his marriage with help from a mysterious creature he discovers on his ship.

Movie details

Spaceman

“I just want to go home.”

2024 Science Fiction · Adventure · Drama 1h 48m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

Six months into a solo mission, a lonely astronaut confronts the cracks in his marriage with help from a mysterious creature he discovers on his ship.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Spaceman?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Quiet Earth

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The Man Who Fell to Earth

The Man Who Fell to Earth

Sci-fi · 1976

Thomas Jerome Newton is an alien who has come to Earth in search of water to save his home planet. Aided by lawyer Oliver Farnsworth, Thomas uses his knowledge of advanced technology to create profitable inventions. While developing a method to transport water, Thomas meets Mary-Lou, a quiet hotel clerk, and begins to fall in love with her. Just as he is ready to leave Earth, Thomas is intercepted by the U.S. government, and his entire plan is threatened.

Proximity

Proximity

Sci-fi · 2020

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Swan Song

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Where it lives

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Names above the title

The people responsible.

Directed by

Johan Renck

Written by

Colby Day

Adam Sandler

Adam Sandler

Jakub Procházka

Paul Dano

Paul Dano

Hanuš (voice)

Carey Mulligan

Carey Mulligan

Lenka Procházková

Kunal Nayyar

Kunal Nayyar

Peter

Isabella Rossellini

Isabella Rossellini

Commissioner Tůmová

Lena Olin

Lena Olin

Zdena

P

Petr Papánek

Young Jakub

Court is in session

Put Spaceman on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.