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The Man Who Fell to Earth

The Man Who Fell to Earth

Science Fiction · Drama · Fantasy · 1976

Thomas Jerome Newton is an alien who has come to Earth in search of water to save his home planet. Aided by lawyer Oliver Farnsworth, Thomas uses his knowledge of advanced technology to create profitable inventions. While developing a method to transport water, Thomas meets Mary-Lou, a quiet hotel clerk, and begins to fall in love with her. Just as he is ready to leave Earth, Thomas is intercepted by the U.S. government, and his entire plan is threatened.

Movie details

The Man Who Fell to Earth

“Power, space, time and a visitor.”

1976 Science Fiction · Drama · Fantasy 2h 19m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Thomas Jerome Newton is an alien who has come to Earth in search of water to save his home planet. Aided by lawyer Oliver Farnsworth, Thomas uses his knowledge of advanced technology to create profitable inventions. While developing a method to transport water, Thomas meets Mary-Lou, a quiet hotel clerk, and begins to fall in love with her. Just as he is ready to leave Earth, Thomas is intercepted by the U.S. government, and his entire plan is threatened.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Man Who Fell to Earth?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Nicolas Roeg

Written by

Paul Mayersberg

David Bowie

David Bowie

Thomas Jerome Newton

Rip Torn

Rip Torn

Nathan Bryce

Candy Clark

Candy Clark

Mary-Lou

Tony Mascia

Tony Mascia

Arthur

Buck Henry

Buck Henry

Oliver Farnsworth

Bernie Casey

Bernie Casey

Peters

Adrienne La Russa

Adrienne La Russa

Helen

Court is in session

Put The Man Who Fell to Earth on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.