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The Blood on Satan's Claw

The Blood on Satan's Claw

Horror · 1971

After a landsman in 18th century England discovers a corpse covered in fur buried in a field, the town becomes infected by "the devil's skin," leading the local children to engage in demonic rituals and criminal behavior.

Movie details

The Blood on Satan's Claw

“A chill-filled festival of horror!”

1971 Horror 1h 36m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

After a landsman in 18th century England discovers a corpse covered in fur buried in a field, the town becomes infected by "the devil's skin," leading the local children to engage in demonic rituals and criminal behavior.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Blood on Satan's Claw?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

The Reptile

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The Boogeyman

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Still reeling from the tragic death of their mother, a teenage girl and her younger sister find themselves plagued by a sadistic presence in their house and struggle to get their grieving father to pay attention before it’s too late.

Horror Express

Horror Express

Horror · 1972

Mysterious and unearthly deaths start to occur while Professor Saxton is transporting the frozen remains of a primitive humanoid creature he found in Manchuria back to Europe.

House of 1000 Corpses

House of 1000 Corpses

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Two teenage couples traveling across the backwoods of Texas searching for urban legends of serial killers end up as prisoners of a bizarre and sadistic backwater family of serial killers.

Never Let Go

Never Let Go

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As an evil takes over the world beyond their front doorstep, the only protection for a mother and her twin sons is their house and their family’s protective bond.

Diabolic

Diabolic

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A woman's hope for a miracle cure turns into a nightmare when she confronts the vengeful spirit of a cursed witch, determined to claim her as a vessel for her evil power.

The Accursed

The Accursed

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Hana spends twenty years suppressing a maleficent curse that was placed upon her bloodline, only to have a family member knowingly release it forcing her to kill or to be killed.

The Devil Rides Out

The Devil Rides Out

Horror · 1968

The powers of good are pitted against the forces of evil as the Duc de Richelieu wrestles with the charming but deadly Satanist, Mocata, for the soul of his friend. Mocata has the knowledge and the power to summon the forces of darkness and, as the Duc de Richelieu and his friends remain within the protected pentacle, they are subjected to ever-increasing horror until thundering hooves herald the arrival of the Angel of Death.

Silver Bullet

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The small city of Tarker's Mills is startled by a series of sadistic murders. The population fears the work of a maniac, but sightings of a mysterious, hairy creature soon spread. People lock themselves up at night, but there's one boy who's still outside…

The Wolfman

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Names above the title

The people responsible.

Directed by

Piers Haggard

Written by

Robert Wynne-Simmons

Patrick Wymark

Patrick Wymark

The Judge

Linda Hayden

Linda Hayden

Angel Blake

Barry Andrews

Barry Andrews

Ralph Gower

Michele Dotrice

Michele Dotrice

Margaret

Wendy Padbury

Wendy Padbury

Cathy Vespers

Anthony Ainley

Anthony Ainley

Reverend Fallowfield

Charlotte Mitchell

Charlotte Mitchell

Ellen Vespers

Court is in session

Put The Blood on Satan's Claw on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.