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The Reptile

The Reptile

Horror · 1966

Harry and Valerie Spalding arrive in the remote Cornish village to an unwelcoming and suspicious population. Harry's brother dies suddenly, bitten by a lethal reptilian bite. They befriend a young woman Anna whose tyrannical father controls her life and, as they discover that others in the village have suffered a similar fate, their investigations lead to Anna. What they uncover is a victim of the most terrifying legacy... a destiny of mutilation and murder.

Movie details

The Reptile

“Half woman - half snake!”

1966 Horror 1h 30m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Harry and Valerie Spalding arrive in the remote Cornish village to an unwelcoming and suspicious population. Harry's brother dies suddenly, bitten by a lethal reptilian bite. They befriend a young woman Anna whose tyrannical father controls her life and, as they discover that others in the village have suffered a similar fate, their investigations lead to Anna. What they uncover is a victim of the most terrifying legacy... a destiny of mutilation and murder.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Reptile?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Messiah of Evil

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Names above the title

The people responsible.

Directed by

John Gilling

Written by

Anthony Hinds

Noel Willman

Noel Willman

Dr. Franklyn

Jennifer Daniel

Jennifer Daniel

Valerie Spalding

Ray Barrett

Ray Barrett

Harry George Spalding

Jacqueline Pearce

Jacqueline Pearce

Anna Franklyn

Michael Ripper

Michael Ripper

Tom Bailey

John Laurie

John Laurie

Mad Peter

Marne Maitland

Marne Maitland

The Malay

Court is in session

Put The Reptile on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.