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Two Witches

Two Witches

Horror · 2023

A matriarchal witch passes on her sinister inheritance to her grand-daughter, triggering the most horrific curses.

Movie details

Two Witches

“Witches don't die before leaving their legacy...”

2023 Horror 1h 35m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

A matriarchal witch passes on her sinister inheritance to her grand-daughter, triggering the most horrific curses.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Two Witches?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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A Nightmare on Elm Street Part 2: Freddy's Revenge

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A journey into uncharted and forbidden territory through three tales tangled in space and time.

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Ginger Snaps

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The Resurrected

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Ghostland

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A mother of two inherits a home from her aunt. On the first night in the new home she is confronted with murderous intruders and fights for her daughters’ lives. Sixteen years later the daughters reunite at the house, and that is when things get strange...

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Names above the title

The people responsible.

Directed by

Pierre Tsigaridis

Written by

Maxime Rancon · Pierre Tsigaridis

Rebekah Kennedy

Rebekah Kennedy

Masha

Belle Adams

Belle Adams

Sarah

Jacob DeMonte-Finn

Jacob DeMonte-Finn

Masha's one night stand

Tim Fox

Tim Fox

Dustin

Clint Glenn Hummel

Clint Glenn Hummel

Charlie

Danielle Kennedy

Danielle Kennedy

Mary

Kristina Klebe

Kristina Klebe

Rachel

Court is in session

Put Two Witches on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.