The defence The Arthouse Gremlin
“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.
Back to trending 
Horror Express
Horror · 1972
Mysterious and unearthly deaths start to occur while Professor Saxton is transporting the frozen remains of a primitive humanoid creature he found in Manchuria back to Europe.
Movie details
Horror Express
“A nightmare of terror travelling aboard the Horror Express!”
1972 Horror 1h 27m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.3 / 10
Community rating
Mysterious and unearthly deaths start to occur while Professor Saxton is transporting the frozen remains of a primitive humanoid creature he found in Manchuria back to Europe.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Horror Express?
For the defence
The Arthouse Gremlin
“The stranger, the better.”
Read their case For the prosecution
The Prestige Tourist
“You like your greatness pre-approved.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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The Haunted Palace
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Nightbreed
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The Ritual
Horror · 2017
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The Last Voyage of the Demeter
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Where it lives
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Names above the title
The people responsible.
Cast & crew
Directed by
Eugenio Martín
Written by
Arnaud d'Usseau · Julian Zimet · Eugenio Martín
Christopher Lee
Prof. Sir Alexander Saxton
Peter Cushing
Dr. Wells
Telly Savalas
Captain Kazan
Alberto de Mendoza
Father Pujardov
Silvia Tortosa
Countess Irina Petrovska
Julio Peña
Inspector Mirov
Ángel del Pozo
Yevtushenko
Court is in session
Put Horror Express on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Prestige Tourist
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.