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Splash

Splash

Comedy · Romance · Fantasy · 1984

A successful businessman falls in love with the girl of his dreams. There's one big complication though; he's fallen hook, line and sinker for a mermaid.

Movie details

Splash

“She was the woman of Allen's dreams. She had large dark eyes, a beautiful smile and a great pair of fins.”

1984 Comedy · Romance · Fantasy 1h 50m

Critical arithmetic

The consensus, allegedly.

IMDb

6.3 / 10

86.8K votes

Metacritic

71 / 100

Metascore

TMDB

6.3 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

A successful businessman falls in love with the girl of his dreams. There's one big complication though; he's fallen hook, line and sinker for a mermaid.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Splash?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Crossing Delancey

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Comedy · 1988

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Where it lives

Watch in your region.

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Ron Howard

Written by

Lowell Ganz · Babaloo Mandel · Bruce Jay Friedman

Tom Hanks

Tom Hanks

Allen Bauer

Daryl Hannah

Daryl Hannah

Madison

Eugene Levy

Eugene Levy

Walter Kornbluth

John Candy

John Candy

Freddie Bauer

Dody Goodman

Dody Goodman

Mrs. Stimler

Shecky Greene

Shecky Greene

Mr. Buyrite

Richard B. Shull

Richard B. Shull

Dr. Ross

Court is in session

Put Splash on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.