The defence The Sentimental Softie
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
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Splash
Comedy · Romance · Fantasy · 1984
A successful businessman falls in love with the girl of his dreams. There's one big complication though; he's fallen hook, line and sinker for a mermaid.
Movie details
Splash
“She was the woman of Allen's dreams. She had large dark eyes, a beautiful smile and a great pair of fins.”
1984 Comedy · Romance · Fantasy 1h 50m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.3 / 10
Community rating
A successful businessman falls in love with the girl of his dreams. There's one big complication though; he's fallen hook, line and sinker for a mermaid.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Splash?
For the defence
The Sentimental Softie
“You came to feel something, and you will.”
Read their case For the prosecution
The Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Where it lives
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
Names above the title
The people responsible.
Cast & crew
Directed by
Ron Howard
Written by
Bruce Jay Friedman · Lowell Ganz · Babaloo Mandel
Tom Hanks
Allen Bauer
Daryl Hannah
Madison
Eugene Levy
Walter Kornbluth
John Candy
Freddie Bauer
Dody Goodman
Mrs. Stimler
Shecky Greene
Mr. Buyrite
Richard B. Shull
Dr. Ross
Court is in session
Put Splash on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Cool Ironist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.