The defence The Sentimental Softie
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
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Paris When It Sizzles
Romance · Comedy · 1964
Hollywood producer Alexander Meyerheimer has hired drunken writer Richard Benson to write his latest movie. Benson has been in Paris supposedly working on the script for months, but instead has spent the time living it up. Benson now has just two days to the deadline and thus hires a temporary secretary, Gabrielle Simpson, to help him finish on time.
Movie details
Paris When It Sizzles
“Go absolutely Ape in...”
1964 Romance · Comedy 1h 50m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.3 / 10
Community rating
Hollywood producer Alexander Meyerheimer has hired drunken writer Richard Benson to write his latest movie. Benson has been in Paris supposedly working on the script for months, but instead has spent the time living it up. Benson now has just two days to the deadline and thus hires a temporary secretary, Gabrielle Simpson, to help him finish on time.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Paris When It Sizzles?
For the defence
The Sentimental Softie
“You came to feel something, and you will.”
Read their case For the prosecution
The Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
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Where it lives
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Names above the title
The people responsible.
Cast & crew
Directed by
Richard Quine
Written by
George Axelrod
William Holden
Richard Benson
Audrey Hepburn
Gabrielle Simpson
Grégoire Aslan
Inspector Gilet
Raymond Bussières
François
Christian Duvaleix
Maitre d'Hotel
Michel Thomass
Gangster (as Thomas Michel)
Dominique Boschero
Girl at Pool
Court is in session
Put Paris When It Sizzles on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Cool Ironist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.